Deutscher Maler Und Grafiker Paul

Paul ernst Klee war ein deutsch Maler und Grafiker, wer vielseitiges Werk von Expressionismus, Konstruktivismus, Kubismus, Primitivismus und kommen sie Surrealismus zugeordnet wird. Klee stand in engem kommunikation zur Redaktionsgemeinschaft der Blaue Reiter und zeigte in ihrer montag Ausstellung 1912 grafische Arbeiten. Zum bis zu dieser times hauptsächlich als Grafiker tätigen künstler verhalf eine 1914 zusammen mit ehrenvoll Macke und louis Moilliet durchgeführte reisen nach Tunesien kommen sie seinem Durchbruch wie Maler. Sie wurde wie kunstgeschichtlich wichtig Tunisreise bekannt.

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Wie befinde Freund, das russische künstler Wassily Kandinsky, unterrichten Klee abdominal muscle 1921 am Bauhaus an Weimar und später an Dessau. Abdominal 1931 war er Professor in der Kunstakademie Düsseldorf. Nach ns Machtergreifung weil die Nationalsozialisten wurden er entlassen und gehen zurück nach Bern, wo während der letzten jahr ab kommen sie Jahr 1934 trotz wachsender Belastung weil eine schwere Krankheit einer umfangreiches Spätwerk entstand. Neben seinem künstlerischen Werk verfasste er kunsttheoretische Schriften zusammen beispielsweise Schöpferische Konfession und Pädagogisches Skizzenbuch . Paul Klee gehört zu den bedeutendsten bildenden Künstlern ns Klassischen Moderne des 20. Jahrhunderts. Wikipedia


Photo: Alexander Eliasberg (1878–1924), thomas Kain/ Mona Meister/ Franz-Joachim Verspohl (Hrsg.): paul Klee in Jena 1924. Ns Vortrag. Minerva. Jenaer Schriften von Kunstgeschichte, band 10, Kunsthistorisches Seminar, Jenoptik AG, Druckhaus Gera, jena 1999, ISBN 3-932081-34-X, S. 91. / windy domain

„Kunst ergibt nicht das Sichtbare wieder, sondern kann sein sichtbar.“

— paul Klee

Schöpferische Konfession. In: Tribüne ns Kunst und das Zeit. Einer Schriftensammlung, maßband XIII, hgg. V. Kasimir Edschmid. Reiß, berlin 1920. S. 28


„Die Musik von alles lieben, heißt unglücklich sein.“

— paul Klee

Tagebücher 1898-1918. Hrsg. über Felix Klee. Köln: DuMont Schauberg, 1957. S. 71


„Die farbe hat mich. Ich notwendig nicht nach ihr zu haschen. Sie hat mich zum immer. Das ist der glücklichen stunde Sinn: ich und die Farbe eins. Ich morgen Maler.“

— paulus Klee

Tagebücher 1898-1918. Hrsg. Von Felix Klee. Köln: DuMont Schauberg, 1957. S. 307


„Things appear zu assume a broader und more diversity meaning, regularly seemingly contradicting die rational experience des yesterday. There ist a striving to emphasize die essential character von the accidental.“


— paulus Klee

Section V1916 - 1920, an innovative Credo (1920)Kontext: formerly we used kommen sie represent things visible top top earth, things we either liked kommen sie look punkt or would have liked kommen sie see. Heute we reveal die reality that is behind visible things, hence expressing die belief that ns visible world is merely in isolated case in relation to die universe and that there are many an ext other, implicitly realities. Things appear zu assume a broader and more diversity meaning, regularly seemingly contradicting ns rational experience of yesterday. There ist a striving zu emphasize the essential character of the accidental.

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„My mirror probes under to die heart. I write indigenous on ns forehead und around the corners of the mouth. My human encounters are truer than the ja wirklich ones.“


— paulus Klee

Diary entry (Munich, 1901), # 136, in The Diaries von Paul Klee, 1898-1918; University von California Press, 1968, p. 481895 - 1902


— paul Klee

Diary entry (3 June 1902), # 411, in The Diaries von Paul Klee, 1898-1918; University von California Press, 19681895 - 1902Kontext: The hauptsächlich thing now is not zu paint precociously but kommen sie be, or hinweisen least become, in individual. The nett of mastering life zu sein the prerequisite weil das all additional forms von expression, even if it is they are paintings, sculptures, tragedies, or musical compositions.

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„Nature can afford zu be prodigal an everything, ns artist must be frugal down zu the last detail.“


— paul Klee

Diary entry (Munich, 1909), # 857, in The Diaries von Paul Klee, 1898-1918; University of California Press, 1968, p. 2361903 - 1910Kontext: Nature kann sein afford kommen sie be prodigal an everything, the artist have to be frugal down zu the tonnage detail.Nature ist garrulous to die point des confusion, let ns artist be important taciturn.


„Things are notfall quite deshalb simple with 'pure' nett as it zu sein dogmatically claimed. Bei the last analysis, a drawing simply is no much longer a drawing, no matte how self-sufficient that is execution may be. It ist a symbol, and the much more profoundly die imaginary lines of projection meet greater dimensions, die better. An this sense i shall never ever be a pure artist as ns dogma defines him. We greater creatures are deshalb mechanically created children of God, und yet intellect and soul run within us an completely different dimensions.“


— paul Klee

Quote (July 1905); from: Diari 1898-1918, 2012 (citato), paragrafo 660; together quoted by Francesco Mazzaferro, bei 'The Diaries of Paul Klee teil Three', : 'Klee together a Secessionist und a Neo-Impressionist Artist' http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html1903 - 1910


„First von all, the nett of living; then together my ideologen profession, poetry und philosophy, and as my echt profession, plastic arts; an the tonnage resort, zum lack des income, illustrations.“


— paulus Klee

Quote des Klee (Munich, c. 1910); as cited über Gualtieri Di san Lazzaro, Klee, Praeger, neu York, 1957, p. 16Klee was married, had actually a young son then and did the housework, living in an suburb des Munich1903 - 1910


„Beyond ns constructive elements of the picture, ich studied ns tonalities of nature by adding layer ~ above layer von diluted schwarz watercolour paint. Every layer must dry well. An this way a mathematically exactly scale des light and dark values is the result. Squinting facilitates our perception of this phenomenon an nature.“


— paulus Klee

Quote (1908), # 840, bei The Diaries des Paul Klee; University des California Press, 1964; together quoted über Francesco Mazzaferro, bei 'The Diaries of Paul Klee - part Three' : Klee together a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html1903 - 1910


„The conviction that painting is the best profession grow stronger and stronger in me. Writing ist the just other thing I ausblüten feel attractive to. Perhaps wie man I in mature ich shall go rückseitig to it.“


— paul Klee

Quote (1899), # 93, bei The Diaries des Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 19641895 - 1902


„Everything vanishes around me, and works room born together if out des the void. Ripe, graphics fruits fall off. My hand has become ns obedient instrument of a far will.“


— paul Klee

Diary entrance (January/February 1918), # 1104, die Diaries des Paul Klee, 1898-1918 (p. 387)1916 - 1920


„In my fertile activity, every time a type grows beyond die stage des its genesis, and I have about reached ns goal, ns intensity it s okay lost an extremely quickly, and I have to look weil das new ways. It is precisely die way which zu sein productive - this zu sein the essential thing: becoming ist more crucial than being.“


— paulus Klee

Quote (1912), # 928, an The Diaries von Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 19641911 - 1914


„The much longer my manufacturing moves an a definite direction, ns less gaily the progresses. But nur now something new seems zu be keep going to die stream: it is broadening right into a lake. Ich hope the will not lack a matching depth. I was ns faithful bild of a teil of art history; i moved towards Impressionism and beyond it. I don't want zu say that i grew out von it; ich hope this zu sein not so... Bei lucid moments, i now oase a clear view von twelve years des the history des my inner self. Zuerst the cramped self, that me with ns big blinkers, then the disappearance of the blinkers and the self, jetzt gradually the re-emergence von a self without blinkers. It zu sein good that one didn't recognize this an advance.“


— paul Klee

Quote (1911), Diary # 899; as cited über Francesco Mazzaferro, bei 'The Diaries von Paul Klee teil Four', : Klee as bei Expressionist und Constructivist painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html1911 - 1914


.... Is a echt declaration of liebe toward art. Abstraction native this welt more as a game, less as a failure des the earthly. Somewhere an between. Ns man bei love no much longer drinks and eats..“


— paul Klee

Diary entry (1912), # 922; as quoted by Francesco Mazzaferro, in 'The Diaries of Paul Klee teil Four', : Klee as bei Expressionist and Constructivist painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html1911 - 1914


„When looking hinweisen any far-ranging work of art, remember that a more significant one probably has had kommen sie be sacrificed.“


— paul Klee

Diary entry (December 1904), # 583, in The Diaries von Paul Klee, 1898-1918; University of California Press, 19681903 - 1910


„Polyphonic painting zu sein superior zu music an that, here, the time prime becomes a raum element. Die notion des simultaneity stands out even much more richly.“


— paul Klee

Paul Klee, teilen from 'Diaries III', 1917; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html1916 - 1920


„Yesterday was shaped über Kandinsky's move... This departure zu sein what proves something zum me... It ist a friendship the overcomes a number of negativ items, because ns plus next stands certain and, in particular, due to the fact that there zu sein a verknüpfung to my fertile youth .“


— paul Klee

Quote bei a letter zu his wife lilie Klee, 11 Dec. 1932; together quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.htmltaken from Wikipedia: following a nazi- smear campaign die Bauhaus academy left Dessau in 1932 for Berlin, until its dissolution in July 1933. Kandinsky climate left Germany, settling an Paris.1931 -1940


„You understand what i want zu become in the interim today: a painter? No. A simple and common designer. Yet a biting one. I would like zu deride humanity, nothing less. And this with the simplest means, in black and white. At the same time - five blasphemy - i would like zu attack our lord adequately.“


— paul Klee

Quote in a letter kommen sie his freund de:Hans Bloesch, 1898; together cited in Das Frühwerk 1883-1922 (The beforehand works 1888-1922), Munich, Städtische Galerie im Lenbachhaus, 1979, p. 47Klee originally aspired kommen sie become a satirist, not a painter.1895 - 1902


— paul Klee

Diary entrance (1912), # 914; together quoted by Francesco Mazzaferro, an 'The Diaries of Paul Klee teil Four', : Klee as an Expressionist and Constructivist artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.htmlin 1912 Klee analyzed into German an essay ~ above light von Delaunay1911 - 1914


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